What Were The Costs And Benefits Of Cultural Interaction And Trade Spurred By The Crusades essays

What Were The Costs And Benefits Of Cultural Interaction And Trade Spurred By The Crusades essays The Crusades had a major impact on the history of Europe. The costs and benefits of the Crusades were many and many things changed because of the Crusades. The balance of power in Europe changed dramatically during the time of the Crusades. In this paper I shall tell you about these changes produced by the costs and benefits of the Crusades. One effect the Crusades had was the change in the balance of power between nobles and monarchs. The nobles united during the time of the Crusades to fight against a common enemy but during that time the monarchs slowly undermined the power of the nobles. The reason was because the Crusades were a series of wars monarchs had the ever-present excuse to tax the nobles heavily and create an army out of the nobles wealth. Another reason is because many nobles died during the Crusades so many lines of nobles ended and the monarchs usually seized a deceased nobles land. As you can see the Crusades cost the nobles dearly and the monarchs greatly benefited from them. The Crusades also had a major economical impact. The peasants and some businessmen suffered greatly due to the crusades while certain areas and people got rich. The peasants suffered because they were taxed heavily to support the armies. Many businesses that depended on loaning went bankrupt because the pope cancelled debts for people who participated in the Crusades. The people and places that got rich were Italy and shipping companies. The shipping companies made fortunes moving troops and supplies while Italy got truckloads of money because it was perfectly situated between Europe and the Middle East and intercepted all the traffic. The Crusades had a major impact on European technology. Europe learned many things from the Islamic people. The Europeans learned about gunpowder, the crossbow, pigeons as messengers, siege tactics, and catapults. The Europeans were strengthened by the Crusades even though ...

Biography of Sarah Bernhardt, French Actress

Biography of Sarah Bernhardt, French Actress Sarah Bernhardt [born Henriette-Rosine Bernard; October 22,  1844- March 21, 1923] was a French stage and early film actress whose career spanned over 60 years. During the late 19th and early 20th centuries, she dominated the world of acting with lead parts in acclaimed plays and motion pictures. She is widely regarded as one of the greatest actresses of all time and one of the first actresses to garner worldwide fame.   Early Life Sarah Bernhardt was born Henriette-Rosine Bernard on October 22, 1844 in Paris. She was the daughter of Julie Bernard, a Dutch courtesan who catered to a wealthy clientele.   Her father has never been identified. At age seven, she was sent to a boarding school where she performed on stage for the first time, playing the role of the Queen of the Fairies in Clothilde. Around the same time, Bernhardts  mother started dating the Duke de Morny, the half-brother of Napoleon III. Affluent and highly influential in Paris society, he would play a key role in the development of Bernhardts acting career. Although Bernhardt was more interested in becoming a nun than an actress, her family decided she should give acting a try. Together with their friend, playwright Alexandre Dumas, they brought Bernhardt to the Comà ©die-Franà §aise, France’s national theater company, for her first theater performance. Moved to tears by the play, Bernhardt was comforted by Dumas, who called her â€Å"my little star. The Duke told her she was destined to act. First Stage Performances In 1860, with the help of Morny’s influence, Bernhardt  was given the chance to audition at the prestigious Paris Conservatory. Coached by Dumas, she recited the fable of The Two Pigeons by La Fontaine and managed to persuade the school’s jury. On August 31,  1862, after two years of acting studies at the conservatory, Bernhardt made her debut in Racine’s Iphigà ©nie at the Comà ©die-Francaise. Playing the title role, she suffered from stage fright and rushed through her lines. Despite the nervous debut, she continued to perform and played Henrietta in Molià ©re’s Les Femmes Savantes and the title role in Scribe’s Valà ©rie. She didn’t manage to impress the critics and after a slapping incident with another actress, Bernhardt was asked to leave the theater. In 1864, after a brief affair with a Belgian prince, Bernhardt  gave birth to her only child, Maurice. In order to support herself and her son, she accepted minor roles at the melodrama theater Port-Saint-Martin and was eventually hired by the director of the Thà ©Ãƒ ¢tre de lÓdà ©on. There, she would spend the next 6 years establishing herself and developing a reputation as a leading actress.  Ã‚   Career Highlights and the Rise of Motion Pictures In 1868, Bernhardt had her breakthrough performance as Anna Damby in Dumas’  Kean. She received a standing ovation and was instantly given a salary raise. Her next successful performance was in Franà §ois Coppà ©e’s Le Passant, in which  she played the part of the troubadour boy- the first of her many male roles. During the subsequent  decades, Bernhardt’s career flourished. Upon returning to the Comà ©die-Franà §aise in 1872, she starred in some of the most demanding roles of the time, including lead parts in Voltaire ´s Zaire and Racine’s Phà ©dre, as well as Junie in Britannicus, also by Racine. In 1880, Bernhardt accepted an offer to tour the United States, which would be the first of many international stage tours of her career. After two years of touring, Bernhardt returned to Paris and purchased the Thà ©Ãƒ ¢tre de la Renaissance, where she operated as artistic director and lead actress until 1899.   At the turn of the century, Bernhardt became one of the first actresses to star in motion pictures. After starring  in the two-minute film Le Duel d’Hamlet, she went on to act in La Tosca in 1908 and La Dame aux Camelias. However,  it was her portrayal of Elizabeth I in the 1912 silent film The Loves of Queen Elizabeth that truly made her rise to international acclaim. Later Life and Death In 1899, Bernhardt signed a lease with the city of Paris to renovate and manage the Thà ©Ãƒ ¢tre des Nations. She renamed it Thà ©Ãƒ ¢tre Sarah Bernhardt and opened the theater with a revival of La Tosca, followed by her other major successes:  Phà ©dre, Theodora, La Dame aux Camà ©lias, and Gismonda. Throughout the early 1900s, Bernhardt made a number of farewell tours around the globe, including Canada, Brazil, Russia, and Ireland. In 1915, years after a knee  accident, Bernhardt suffered from an infection related to the injury and her leg was ultimately amputated. Refusing an artificial leg, Bernhardt continued to act on stage, with scenes being specifically arranged to suit her needs. In 1921, Bernhardt made her final tour around France. The following year, on the night of the dress rehearsal for the play Un Sujet de Roman, Bernhardt collapsed and went into a coma. She spent months recovering and her health slowly improved, but on March 21, 1923, while suffering from kidney failure, Bernhardt collapsed again and passed away in her son’s arms. She was 78. Legacy Thà ©Ãƒ ¢tre Sarah Bernhardt was managed by her son Maurice until his death in 1928. It was later renamed Thà ©Ãƒ ¢tre de la Ville. In 1960, Bernhardt was given a star on the Hollywood Walk of Fame. Bernhardts vibrant and dramatic performances in so many iconic roles captivated audiences and critics all over the world. Her successful transition from stage to screen further established Bernhardt as one of the most celebrated actresses in theater and film history. Sarah Bernhardt Fast Facts Full Name:  Henriette-Rosine BernardKnown As: Sarah BernhardtOccupation: ActressBorn:  October 22,  1844 in Paris, FranceParents Names: Julie Bernard; father unknownDied: March 21, 1923 in Paris, FranceEducation: Studied acting at the Paris Conservatory  Spouses Name: Jacques Damala (1882-1889)Childs Name: Maurice BernhardtKey Accomplishments: Bernhardt was one of the most successful actresses of the late 19th and early 20th centuries. She toured the world, successfully transitioned from stage to screen and back again, and managed her own theater (Thà ©Ãƒ ¢tre Sarah Bernhardt). Sources and Further Reading Verneuil,  Louis. The Fabulous Life of Sarah Bernhardt. London, Harper brothers; Fourth Edition, 1942.Gold, Arthur  and Fizdale, Robert. Divine Sarah: A Life of Sarah Bernhardt. Knopf; First edition, 1991.Skinner, Cornelia Otis. Madame Sarah. Houghton-Mifflin, 1967.Tierchant, Hà ©là ¨ne. Madame Quand mà ªme. Editions Tà ©là ©maque, 2009.